fine art
montage

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camille rogine photography

I think of photographs as creations, more than captures

When I think about montage, I think about photos as raw materials, as the medium for creation.

What originally pulled me into photography was both physical and philosophic. I loved layering negatives upon one another and considering the implications of that. I was merging space-time.

I was suggesting a moment that never existed.

I wasn't creating a world from scratch--instead, I was using real moments and places to skew it. This thrilled me.

upstate new york

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block island

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abroad

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behind the lens

I lived many lives before I became a portrait photographer. My most recent transition was taking a leave from medical school to pursue my art. It's a long story. Put simply, there are too many parts of me for a linear life to contain.

I’ve opted to use this as a strength. My work in medicine, fine art, and women’s advocacy enriches the way I see, navigate the world, and take photographs. In this way, I see portrait photography as transformative—a way to shift the way that women are seen and see themselves.